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[ wicked-film ] Write about persecution themes
It is a serious topic and one which definitely needs discussing, but also: Kids, could you lighten up a little?
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content/en/post/wicked-film-is-surprisingly-good/index.md

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@@ -113,7 +113,7 @@ see ^^
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Cynthia Erivo -- Elphaba -- is also very good in her role. Elphaba's awkwardness
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and feeling out-of-place is clearly projected through the screen, and later in
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the film, she is actively commandeering and intimidating in exactly the way that
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the film, she is actively commanding and intimidating in exactly the way that
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people about to boil over with anger can be; her hand motions, her movements,
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her way of speaking are brilliantly done and really grip one's attention. And
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she can sing incredibly well!
@@ -128,13 +128,14 @@ bottom of this section when clicking it, but here is a
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The overall message of the film was something I did not expect to be as relevant
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(if not _more_ relevant) now as it was when I saw it over 10 years ago, or when
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it was made roughly 20 years ago. The film's plot is effectively unchanged from
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the musical's, and yet it definitely resonates with several current topics.
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(if not _more_ relevant) now as it was when I saw the musical over ten years
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ago, or when the musical was made roughly _twenty_ years ago. The film's plot is
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effectively unchanged from the musical's, and yet it definitely resonates with
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several current topics.
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### A Critique of Power
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### A Criticism of Power
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At its core, Wicked is a critique of power. Those who have control are shown to
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At its core, Wicked is a criticism of power. Those who have control are shown to
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have been corrupted by it, wanting to use new and emerging powers to keep and
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entrench their current control, because they are out of ideas and things haven't
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magically fixed themselves just by them being in power. But they don't want to
@@ -156,24 +157,83 @@ asking him to read it. Only to, when he fails, conclude:
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Which, to his credit, the Wizard immediately owns up to:
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> Exactly. And that's why I need you.
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> Exactly! And that's why I need you.
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The Wizard and the sorcery expert Madame Morrible _need_ someone who can
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The Wizard and the sorcery teacher Madame Morrible _need_ someone who can
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actually exert the power they have been carefully creating an illusion of
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having. Because cracks are beginning to form in everyday well-being, and they
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know that finding a scapegoat to persecute is a very time-limited, short-term
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know that finding a scapegoat to persecute is a time-limited, short-term
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""solution"".
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### Being Different/Queer
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* Definitely has some sub-themes of queerness
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- To some extent makes sense: Friends of Dorothy, etc. (TODO: expand)
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Galinda changing her name to Glinda "out of solidarity" is also a very obvious
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criticism of empty acts which actually take no risk and have no impact, but are
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done purely to promote an image of caring.
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### Racism, Xenophobia, and Persecution
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* Animals meeting in secret to discuss others going missing, being erased from
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educational history, etc. draws some links to black history as well as World
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War 2.
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Speaking of solidarity, there are also some parallels to be drawn to black
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history, xenophobia, and persecution. Although I have not lived the experiences
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or am part of those minorities, I would still like to briefly discuss how the
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film draws parallels to these. Hopefully I have managed to do so in a respectful
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and considerate manner.
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When Elphaba accidentally breaks the giant stone carving of the Wizard of Oz at
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Shiz University, it falls away to reveal an older, wooden painting of animal and
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human scholars side by side. That the animals are slowly but surely being
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systematically removed from society is also mentioned by Dr Dillamond -- a goat
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-- who recalls how all sorts of animals used to freely exchange knowledge and
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spar theories with their human colleagues. This is followed by the question from
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Galinda "Why can't you just teach us history instead of blabbering on about the
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past?", which is (hopefully) recognised by the audience as poignantly ironic and
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satirical of people who truly believe that question to be valid.
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There is also the scene where animals are shown to be meeting in secrecy, scared
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for their lives, to discuss how other animals, friends, and colleagues have gone
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missing, asked to speak urgently and never showed, or simply reduced to their
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base instincts, no longer able to speak out. There are some _chilling_ parallels
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to be drawn to both historical and some current events, especially when Elphaba
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has a chat with Dillamond:
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> _Elphaba:_ The Wizard would not let this happen.
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>
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> _Dillamond (sadly):_ My dear, it is already happening.
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The evil is already there and extremely noticeable by those it is targeting.
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Elphaba was just not affected and so she has not realised the extent before
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talking to someone who is at risk of being persecuted, including that it is now
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becoming increasingly brazen, affecting more and more "regular" citizens' lives.
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Citizens who are either too scared to do anything, in denial, or some who
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straight up support the new order which is being created (exemplified by an
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anonymous student having written "Animals should be seen and not heard" on the
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back of blackboard, for Dr Dillamond to find. To Elphaba's credit, she
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immediately believes Dr Dillamond and does not try to downplay his concerns or
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statements.
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### Being Different/Queer
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* Definitely has some sub-themes of queerness
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- I mean. _I mean_. _**Come on!**_ : D
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- Not fitting in
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- Never having had the same experiences as a child as other children.
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- Knowing for a fact that you were different
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- Being shunned/misunderstood simply because of a way you were born and had no
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control over
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- Trying to conceal something which very few others understand
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- The joy of finally meeting someone who not only understands, but encourages
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you to explore it
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- The surprise, slight disbelief, and relief and joy at meeting someone who
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did notice, but simply does not care and just treats you as a regular
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human being from the get-go
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- The joy of making a couple of crucial friends who help bridge the gap with
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"regular" people, sparking a wider social circle
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- The _absolute belter_ that is "Defying Gravity", singing "it's time to trust
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my instincts, close my eyes, and leap"
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- In combination with the characters and backing cast, there is just _so much_
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which can be seen as telling a queer story, and it works _so well!_ It is
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_so good!_ ^^
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- (Sorry, I'm a bit excited about all this, if you couldn't tell.)
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- This also ties in a bit with the original story: Friends of Dorothy, etc.
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(TODO: expand).
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## Not All Great
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translation was done by Trine Dansgaard who -- based off
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[her website](https://trine.dk) --
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is no stranger to musical translations: she's translated both Aladdin The
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Musical, HAIRSPRAY, and Moana/Vaiana 2 from English into Danish. I quickly
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stopped paying any attention whatsoever to the subtitles, as they were generally
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pretty bad, with the song lyrics in particular being plain _awful_ in critical
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places (sorry Trine).
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Musical, Hairspray, and Moana/Vaiana 2 from English into Danish. I quickly
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stopped paying any attention whatsoever to the subtitles, because they were
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unfortunately pretty bad, with the song lyrics in particular being plain _awful_
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in critical places (sorry Trine).
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* Probably less noted due to the language size, but the Danish subtitling is
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_awful_

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