- First appearance of major character
- Establishing personality quickly
- Creating memorable entrance
- Visual hook - Something distinctive we see
- Action hook - What they're doing reveals who they are
- Attitude hook - How they interact with others
Weak Introduction:
SARAH CHEN (35) enters.
Strong Introduction:
INT. OFFICE - DAY
A paper airplane sails across the cubicle farm.
SARAH CHEN (35) catches it without looking up from
her phone. She unfolds it, reads the message, crumples
it, and tosses it into a trash can ten feet away.
Perfect shot.
She finally looks up. Smiles at the sender.
SARAH
Your proposal is rejected.
She goes back to her phone.
- In medias res: Character already in action
- Contrast: Character in unexpected environment
- Reveal: Hidden then shown
- Through others: Described before appearing
- Showing character growth
- Marking internal change
- Payoff for earlier setup
| Beat | Description |
|---|---|
| Ghost | Past wound that shapes behavior |
| Lie | False belief character holds |
| Want | External goal |
| Need | Internal growth required |
| Moment of Truth | Choice that reveals change |
Ghost: Sarah's father abandoned her at age 8
Lie: "Everyone leaves eventually"
Want: Find out truth about father
Need: Learn to trust again
Moment of Truth: Chooses to trust John despite risk
Before (Setup):
JOHN
You can trust me.
SARAH
I don't trust anyone.
During (Midpoint):
JOHN
You can trust me.
Sarah hesitates. A long beat.
SARAH
Maybe.
After (Climax):
Sarah hands John the evidence.
SARAH
I trust you.
First time she's said those words.
- Two-character scenes
- Building chemistry (positive or negative)
- Power struggles
Define the dynamic through:
- Status: Who has power?
- Want: What does each want from the other?
- History: What's their shared past?
- Trajectory: Where is this going?
| Type | Description | Example |
|---|---|---|
| Push-Pull | Attraction and resistance | Romance, reluctant allies |
| One-Up | Constant power jockeying | Rivals, toxic relationships |
| Mentor-Student | Knowledge transfer | Training, coming-of-age |
| Mirror | Characters reflect each other | Protagonist-antagonist |
| Complementary | Strengths compensate weaknesses | Buddy cops, partners |
INT. BAR - NIGHT
Sarah and John at a table, drinks between them.
SARAH
I don't like you.
JOHN
You keep saying that.
SARAH
Because you keep showing up.
JOHN
And you keep letting me in.
She doesn't have a comeback for that.
JOHN (CONT'D)
Another round?
SARAH
(beat)
Fine. But this doesn't mean anything.
JOHN
Of course not.
He smiles. She almost smiles back.
- Finishing each other's sentences
- Shared looks/private jokes
- Comfortable silences
- Physical ease/closeness
- Interrupting each other
- Deliberate misunderstanding
- Tense silences
- Physical distance/barriers
POSITIVE:
Sarah reaches for the salt.
John passes it before she asks.
NEGATIVE:
Sarah reaches for the salt.
John watches. Doesn't move.
| Goal | Use Pattern |
|---|---|
| Memorable first impression | Character Introduction |
| Show internal growth | Arc Transformation Moments |
| Build rapport or conflict | Relationship Dynamics |