- Feature-length screenplays
- Traditional narrative storytelling
- Clear beginning, middle, end
| Act | Pages | Purpose |
|---|---|---|
| Act One | 1-30 | Setup - introduce world, characters, conflict |
| Act Two | 30-90 | Confrontation - obstacles, complications, midpoint |
| Act Three | 90-120 | Resolution - climax, resolution, new equilibrium |
- Opening Image (p.1) - Tone setter
- Inciting Incident (p.12) - Life-changing event
- End of Act One (p.25-30) - Point of no return
- Midpoint (p.55-60) - Major reversal or revelation
- End of Act Two (p.85-90) - All is lost moment
- Climax (p.100-110) - Final confrontation
- Resolution (p.115-120) - New status quo
- Commercial screenplays
- Genre films
- Stories needing tight pacing
| Beat | Page | Description |
|---|---|---|
| Opening Image | 1 | Visual "before" snapshot |
| Theme Stated | 5 | Someone hints at the lesson |
| Set-Up | 1-10 | Hero's world before change |
| Catalyst | 12 | Life-changing moment |
| Debate | 12-25 | Hero hesitates |
| Break into Two | 25 | Hero commits to journey |
| B Story | 30 | Subplot (often love story) |
| Fun and Games | 30-55 | Promise of the premise |
| Midpoint | 55 | False victory or defeat |
| Bad Guys Close In | 55-75 | Pressure mounts |
| All Is Lost | 75 | Lowest point |
| Dark Night of the Soul | 75-85 | Hero reflects |
| Break into Three | 85 | Solution found |
| Finale | 85-110 | Final battle |
| Final Image | 110 | Visual "after" snapshot |
Opening Image: Sarah at her mundane desk job
Theme Stated: Coworker says "Some secrets are better buried"
Catalyst: Sarah discovers her father's hidden past
Debate: Should she investigate or let it go?
Break into Two: She starts digging
- Mythic/epic stories
- Character transformation arcs
- Adventure narratives
Act One - Departure
- Ordinary World - Hero's normal life
- Call to Adventure - Challenge presented
- Refusal of the Call - Hero hesitates
- Meeting the Mentor - Guide appears
- Crossing the Threshold - Hero commits
Act Two - Initiation 6. Tests, Allies, Enemies - New world challenges 7. Approach to Inmost Cave - Nearing central ordeal 8. Ordeal - Major crisis/death-rebirth 9. Reward - Hero claims prize
Act Three - Return 10. The Road Back - Journey home 11. Resurrection - Final test, transformation complete 12. Return with Elixir - Hero brings gift to ordinary world
- Tragedy: Hero fails resurrection
- Anti-Hero: Cynical departure from stages
- Ensemble: Multiple characters on parallel journeys
- Complex narratives
- Films requiring precise pacing
- Stories with multiple subplots
Eight sequences of 10-15 pages each:
| Sequence | Act | Pages | Purpose |
|---|---|---|---|
| A | One | 1-15 | Status quo + inciting incident |
| B | One | 15-30 | Predicament and lock-in |
| C | Two | 30-45 | First obstacle/complication |
| D | Two | 45-60 | First culmination (midpoint) |
| E | Two | 60-75 | Subplot intensifies |
| F | Two | 75-90 | Main tension escalates |
| G | Three | 90-105 | Second culmination (crisis) |
| H | Three | 105-120 | Resolution |
Each sequence should have:
- Clear beginning, middle, end
- Specific dramatic question
- Resolution that raises new question (except H)
Sequence A: Sarah discovers letter in attic
Sequence B: She decides to investigate despite warnings
Sequence C: First clue leads to dead end
Sequence D: She finds her father was a spy (midpoint)
| Story Type | Recommended Pattern |
|---|---|
| Commercial thriller | Save the Cat! |
| Epic adventure | Hero's Journey |
| Character study | Three-Act (flexible) |
| Complex plot | Sequence Method |
| Franchise/sequel | Modified Hero's Journey |