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33 | 33 | <ul> |
34 | 34 | <li>Unlike classic crossovers which use IIR (Infinite Impulse Response) filters to split signal into multiple bands and shift the phase |
35 | 35 | of the audio signal at band split points, the <b>Linear Phase</b> allows to use FIR (Finite Impulse Response) filters which are deprived of this. |
36 | | - <li>Unlike most IIR filters which are designed using bilinear transform, linear phase filters allow to simulate their tranfer function |
| 36 | + <li>Unlike most IIR filters which are designed using bilinear transform, linear phase filters allow to simulate their transfer function |
37 | 37 | to look like the transfer function of analog filters, without deforming it's magnitude envelope near the nyquist frequency.</li> |
38 | 38 | <li>Unlike design of classic Linkwitz-Riley filters, the design of IIR filters provides shorter transition zone of the filter.</li> |
39 | 39 | </ul> |
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100 | 100 | <li><b>Shift</b> - allows to adjust the overall gain of the analysis.</li> |
101 | 101 | <li><b>FFT<?= $sm ?> In</b> - enables FFT curve graph of input signal on the spectrum graph.</li> |
102 | 102 | <li><b>FFT<?= $sm ?> Out</b> - enables FFT curve graph of output signal on the spectrum graph.</li> |
103 | | - <li><b>Filters</b> - enables drawing tranfer function of each sidechain filter on the spectrum graph.</li> |
| 103 | + <li><b>Filters</b> - enables drawing transfer function of each sidechain filter on the spectrum graph.</li> |
104 | 104 | <li><b>Surge</b> - enables surge protection mechanism.</li> |
105 | 105 | </ul> |
106 | 106 | <p><b>'Signal' section:</b></p> |
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151 | 151 | <li><b>ON</b> - enables extra band.</li> |
152 | 152 | <li><b>Frequency</b> - the knob that allows to control the split frequency between bands.</li> |
153 | 153 | <li><b>Bottom</b> - the bottom threshold, below which any upward compression is disabled.</li> |
154 | | - <li><b>Upward theshold</b> - the threshold, below which the upward compression starts working.</li> |
| 154 | + <li><b>Upward threshold</b> - the threshold, below which the upward compression starts working.</li> |
155 | 155 | <li><b>Upward ratio</b> - the ratio of the upward compression.</li> |
156 | | - <li><b>Downward theshold</b> - the threshold, above which the downward compression starts working.</li> |
| 156 | + <li><b>Downward threshold</b> - the threshold, above which the downward compression starts working.</li> |
157 | 157 | <li><b>Downward ratio</b> - the ratio of the downward compression.</li> |
158 | 158 | <li><b>Attack</b> - the compressor's attack time.</li> |
159 | 159 | <li><b>Release</b> - the compressor's release time.</li> |
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