99< div class ="mec2026-page ">
1010
1111 < h1 > Call for proposals</ h1 >
12+ < ul >
13+ < li > < a href ="#dates "> Important dates</ a > </ li >
14+ < li > < a href ="#background "> Background</ a > </ li >
15+ < li > < a href ="#topics "> Topics</ a > </ li >
16+ < li > < a href ="#submissions "> Submissions</ a > </ li >
17+ < li > < a href ="#org "> Conference organisation</ a > </ li >
18+ </ ul >
1219 < p > We are pleased to announce our call for papers, posters, panels, and workshops for
1320 the Music Encoding Conference 2026.</ p >
1421 < p > The Music Encoding Conference brings together members from music encoding, analysis,
@@ -22,12 +29,12 @@ <h1>Call for proposals</h1>
2229 < h2 id ="dates "> Important dates and information</ h2 >
2330 < p > Conference date: 26–29 May, 2026</ p >
2431 < p > Location: Morito Memorial Hall, Tokyo University of Science, Tokyo, Japan</ p >
25- < p > Deadline for proposals: Friday 28 November 2025 (Anywhere on Earth)</ p >
32+ < p > < strong > Deadline for proposals</ strong > : Friday 28 November 2025 (Anywhere on Earth)</ p >
2633 < p > Notification of acceptance: Monday 26 January 2026 </ p >
2734 < p > Registration deadline for authors: 2 April 2026</ p >
2835 < p > Last changes to abstracts for publication: 24 April 2026</ p >
2936 < p > For further questions, please e-mail
30- < a href ="
mailto:conference2025 @music-encoding.org "
> [email protected] </ a > </ p > 37+ < a href ="
mailto:conference2026 @music-encoding.org "
> [email protected] </ a > </ p > 3138 < h2 id ="background "> Background</ h2 >
3239 < p > The Music Encoding Conference provides a forum where researchers and
3340 practitioners from varied fields can meet and share new research built on digital music editions and,
@@ -55,7 +62,7 @@ <h2 id="background">Background</h2>
5562 opportunity to engage with the tools and good practices developed within the community, and this
5663 will be further reinforced by a showcase during the conference, where these tools can also be
5764 demonstrated.</ p >
58- < p > Following a formal program, unconference sessions will be held on 29th May 2025 , designed to foster
65+ < p > Following a formal program, unconference sessions will be held on 29th May 2026 , designed to foster
5966 collaboration in the community through the meeting of Interest Groups, and open participation in
6067 discussions on hot topics that emerge during the conference. Spaces for these meetings have been
6168 generously provided by the hosting institution. As part of the conference, we would like to extend
@@ -105,7 +112,7 @@ <h2 id="topics">Topics</h2>
105112 < li > machine learning approaches.</ li >
106113 </ ul >
107114 < h2 id ="submissions "> Submissions</ h2 >
108- < p > The Program Committee for the Music Encoding Conference 2025 will accept proposals for papers,
115+ < p > The Program Committee for the Music Encoding Conference 2026 will accept proposals for papers,
109116 posters, panels, showcase demonstrations and workshops in the form of extended abstracts. All
110117 submissions will be double-blind peer-reviewed by multiple members of the
111118 committee before a decision is made on acceptance. After the review process, authors of
@@ -192,7 +199,7 @@ <h3 id="pc">Program Committee</h3>
192199 < li > Salome Obert, Paderborn University</ li >
193200 < li > Kevin Page, University of Oxford</ li >
194201 < li > Frankie Perry, University of Oxford | British Library</ li >
195- < li > Anna Plaksin, Paderborn University (chair) </ li >
202+ < li > Anna Plaksin, Paderborn University</ li >
196203 < li > Nevin Şahin, Hacettepe University Ankara State
197204 Conservatory</ li >
198205 < li > Martha E. Thomae, NOVA University Lisbon</ li >
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