Revert "Transform inbook to incollection"

This reverts commit d1c11f9.

Author: schnaitter

references.bib

@@ -10,8 +10,7 @@ @book{Jannidis_Kohle_Rehbein_2017
 	year={2017} 
 	}
 
-#inbook
-@incollection{Diecke_Hagener_2024,
+@inbook{Diecke_Hagener_2024,
 	title={{Managing Tools and Expectations: Dos and Don'ts of Teaching Digital Methods for Film Analysis and Film Historiography}},
 	rights={https://creativecommons.org/licenses/by-nc/4.0},
 	ISBN={978-3-11-108248-6},
@@ -26,8 +25,7 @@ @incollection{Diecke_Hagener_2024
 	language={en}
 	}
 
-#inbook
-@incollection{Haber_2012, 
+@inbook{Haber_2012, 
  	address={Göttingen}, 
 	title={{Zeitgeschichte und Digital Humanities}}, 
 	booktitle={{Zeitgeschichte - Konzepte und Methoden}}, 
@@ -38,8 +36,7 @@ @incollection{Haber_2012
 	pages={45--66}
 	}
 
-#inbook
-@incollection{Thaller_2017, 
+@inbook{Thaller_2017, 
  	address={Stuttgart},
 	title={{Digital Humanities als Wissenschaft}}, 
 	ISBN={978-3-476-02622-4}, 
@@ -85,8 +82,7 @@ @book{Salt_2009
 	language={en} 
 	}
 
-#inbook
-@incollection{Tsivian_2009,
+@inbook{Tsivian_2009,
  	address={Bielefeld},
 	series={Medienumbrüche},
 	title={{Cinemetrics, Part of the Humanities' Cyberinfrastructure}}, 
@@ -113,8 +109,7 @@ @article{Stelmach_2024
 	language={en} 
 	}
 
- #inbook
-@incollection{Campregher_Paiva_2025,
+ @inbook{Campregher_Paiva_2025,
  	series={Configurations of Film Series},
 	title={{IMDb} and the Privatization of the Digital Commons},
 	rights={CC BY-SA 4.0},
@@ -206,8 +201,7 @@ @article{Arnold_Tilton_Berke_2019
 	language={en}
 	}
 
-#inbook
-@incollection{Heijden_Arnold_Tilton_2024,
+@inbook{Heijden_Arnold_Tilton_2024,
 	title={{Distant Viewing the Amateur Film Platform}},
 	rights={https://creativecommons.org/licenses/by-nc/4.0},
 	ISBN={978-3-11-108248-6},
@@ -389,8 +383,7 @@ @inproceedings{Bohn_Tamm_2023
 	pages={47--68}
 	}
 
-#inbook
-@incollection{Herlt_Welter_2025,
+@inbook{Herlt_Welter_2025,
 	title={{Critically Curating Data in Cultural Heritage Collections}},
 	rights={https://creativecommons.org/licenses/by-nc/4.0},
 	ISBN={978-3-11-108248-6},
@@ -429,8 +422,7 @@ @article{Dang_Junginger_2024
 	pages={141--152}
 	}
 
- #inbook
-@incollection{Jannidis_2017,
+ @inbook{Jannidis_2017,
  	address={Stuttgart},
 	title={{Grundlagen der Datenmodellierung}},
 	ISBN={978-3-476-02622-4},
@@ -442,8 +434,7 @@ @incollection{Jannidis_2017
 	pages={99--108} 
 	}
 
- #inbook
-@incollection{Dang_2022,
+ @inbook{Dang_2022,
  	address={Bielefeld, Germany},
 	edition={1},
 	series={Science Studies},
@@ -479,8 +470,7 @@ @article{Schild_2017
 	language={de}
 	}
 
- #inbook
-@incollection{Rehbein_2017,
+ @inbook{Rehbein_2017,
  	address={Stuttgart},
 	series={SpringerLink Bücher},
 	title={{Informationsvisualisierung}},
@@ -496,8 +486,7 @@ @incollection{Rehbein_2017
 	language={de}
 	}
 
- #inbook
-@incollection{Burkhardt_Loist_2024,
+ @inbook{Burkhardt_Loist_2024,
  	title={{Visualization In/As Digital Media Studies}},
 	rights={https://creativecommons.org/licenses/by-nc/4.0},
 	ISBN={978-3-11-108248-6},
@@ -578,8 +567,7 @@ @article{Dang_2023
 	language={en}
 	}
 
- #inbook
-@incollection{Dang_2024,
+ @inbook{Dang_2024,
  	series={Materials, Methods, Discourses},
 	title={{Representing the Unknown: A Critical Approach to Digital Data Visualizations in the Context of Feminist Film Historiography}},
 	ISBN={978-94-6372-406-7},
@@ -603,8 +591,7 @@ @misc{Einwächter_2019
 	month=jun
 	}
 
-#inbook
-@incollection{Dang_2024b,
+@inbook{Dang_2024b,
 	title={{Managing the Past: Research Data and Film History}},
 	rights={https://creativecommons.org/licenses/by-nc/4.0},
 	ISBN={978-3-11-108248-6},