Transform inbook to incollection

Author: schnaitter

references.bib

@@ -10,7 +10,8 @@ @book{Jannidis_Kohle_Rehbein_2017
 	year={2017} 
 	}
 
-@inbook{Diecke_Hagener_2024,
+#inbook
+@incollection{Diecke_Hagener_2024,
 	title={{Managing Tools and Expectations: Dos and Don'ts of Teaching Digital Methods for Film Analysis and Film Historiography}},
 	rights={https://creativecommons.org/licenses/by-nc/4.0},
 	ISBN={978-3-11-108248-6},
@@ -25,7 +26,8 @@ @inbook{Diecke_Hagener_2024
 	language={en}
 	}
 
-@inbook{Haber_2012, 
+#inbook
+@incollection{Haber_2012, 
  	address={Göttingen}, 
 	title={{Zeitgeschichte und Digital Humanities}}, 
 	booktitle={{Zeitgeschichte - Konzepte und Methoden}}, 
@@ -36,7 +38,8 @@ @inbook{Haber_2012
 	pages={45--66}
 	}
 
-@inbook{Thaller_2017, 
+#inbook
+@incollection{Thaller_2017, 
  	address={Stuttgart},
 	title={{Digital Humanities als Wissenschaft}}, 
 	ISBN={978-3-476-02622-4}, 
@@ -82,7 +85,8 @@ @book{Salt_2009
 	language={en} 
 	}
 
-@inbook{Tsivian_2009,
+#inbook
+@incollection{Tsivian_2009,
  	address={Bielefeld},
 	series={Medienumbrüche},
 	title={{Cinemetrics, Part of the Humanities' Cyberinfrastructure}}, 
@@ -109,7 +113,8 @@ @article{Stelmach_2024
 	language={en} 
 	}
 
- @inbook{Campregher_Paiva_2025,
+ #inbook
+@incollection{Campregher_Paiva_2025,
  	series={Configurations of Film Series},
 	title={IMDb and the Privatization of the Digital Commons},
 	rights={CC BY-SA 4.0},
@@ -202,7 +207,8 @@ @article{Arnold_Tilton_Berke_2019
 	language={en}
 	}
 
-@inbook{Heijden_Arnold_Tilton_2024,
+#inbook
+@incollection{Heijden_Arnold_Tilton_2024,
 	title={{Distant Viewing the Amateur Film Platform}},
 	rights={https://creativecommons.org/licenses/by-nc/4.0},
 	ISBN={978-3-11-108248-6},
@@ -380,7 +386,8 @@ @inproceedings{Bohn_Tamm_2023
 	pages={47--68}
 	}
 
-@inbook{Herlt_Welter_2025,
+#inbook
+@incollection{Herlt_Welter_2025,
 	title={{Critically Curating Data in Cultural Heritage Collections}},
 	rights={https://creativecommons.org/licenses/by-nc/4.0},
 	ISBN={978-3-11-108248-6},
@@ -419,7 +426,8 @@ @article{Dang_Junginger_2024
 	pages={141--152}
 	}
 
- @inbook{Jannidis_2017,
+ #inbook
+@incollection{Jannidis_2017,
  	address={Stuttgart},
 	title={{Grundlagen der Datenmodellierung}},
 	ISBN={978-3-476-02622-4},
@@ -431,7 +439,8 @@ @inbook{Jannidis_2017
 	pages={99--108} 
 	}
 
- @inbook{Dang_2022,
+ #inbook
+@incollection{Dang_2022,
  	address={Bielefeld, Germany},
 	edition={1},
 	series={Science Studies},
@@ -467,7 +476,8 @@ @article{Schild_2017
 	language={de}
 	}
 
- @inbook{Rehbein_2017,
+ #inbook
+@incollection{Rehbein_2017,
  	address={Stuttgart},
 	series={SpringerLink Bücher},
 	title={{Informationsvisualisierung}},
@@ -483,7 +493,8 @@ @inbook{Rehbein_2017
 	language={de}
 	}
 
- @inbook{Burkhardt_Loist_2024,
+ #inbook
+@incollection{Burkhardt_Loist_2024,
  	title={{Visualization In/As Digital Media Studies}},
 	rights={https://creativecommons.org/licenses/by-nc/4.0},
 	ISBN={978-3-11-108248-6},
@@ -564,7 +575,8 @@ @article{Dang_2023
 	language={en}
 	}
 
- @inbook{Dang_2024,
+ #inbook
+@incollection{Dang_2024,
  	series={Materials, Methods, Discourses},
 	title={{Representing the Unknown: A Critical Approach to Digital Data Visualizations in the Context of Feminist Film Historiography}},
 	ISBN={978-94-6372-406-7},
@@ -588,7 +600,8 @@ @misc{Einwächter_2019
 	month=jun
 	}
 
-@inbook{Dang_2024b,
+#inbook
+@incollection{Dang_2024b,
 	title={{Managing the Past: Research Data and Film History}},
 	rights={https://creativecommons.org/licenses/by-nc/4.0},
 	ISBN={978-3-11-108248-6},