44msgid ""
55msgstr ""
66"Project-Id-Version: Sonic Pi\n"
7- "PO-Revision-Date: 2017-07-14 20:49 +0000\n"
7+ "PO-Revision-Date: 2017-07-18 10:55 +0000\n"
88"Last-Translator: Mircea Patrascu <
[email protected] >\n"
99"Language-Team: Romanian <https://hosted.weblate.org/projects/sonic-"
1010"pi/tutorial/ro/>\n"
@@ -16165,14 +16165,17 @@ msgstr ""
1616516165
1616616166#: A.18-additive-synthesis.md:64
1616716167msgid "Detuning"
16168- msgstr ""
16168+ msgstr "Dezacordarea "
1616916169
1617016170#: A.18-additive-synthesis.md:66
1617116171msgid ""
1617216172"So far, when combining our different synths we've used either the same pitch o"
1617316173"r switched octave. How might it sound if we didn't stick to octaves but instea"
1617416174"d chose a slightly higher or lower note? Let's try it:"
1617516175msgstr ""
16176+ "Pana acum, cand am combinat diferite sintetizatoare am folosit fie aceeasi "
16177+ "inaltime, fie am schimbat octava. Cum ar suna daca nu am respecta octavele "
16178+ "ci am alege o nota putin mai inalta sau mai joasa? Sa incercam:"
1617616179
1617716180#: A.18-additive-synthesis.md:70
1617816181#, no-wrap
@@ -16197,26 +16200,40 @@ msgid ""
1619716200"nice 'thick' sound, with both slightly different pitches interacting with each"
1619816201" other in interesting, often surprising, ways."
1619916202msgstr ""
16203+ "Daca decalam cele 2 unde rectangulare cu 0.7 note putem auzi ceva ce "
16204+ "probabil nu suna corect, ci dezacordat - o nota 'gresita'. Totusi, pe masura "
16205+ "ce ne apropiem de 0 va suna din ce in ce mai putin dezacordat, inaltimile "
16206+ "celor doua unde devenind mai apropiate si mai asemanatoare. Incearca! "
16207+ "Schimba valoarea pentru 'detune:' din '0.7' in '0.5' si asculta noul sunet. "
16208+ "Incearca `0.2`, `0.1`, `0.05`, `0`. De fiecare data cand schimbi valoarea, "
16209+ "asculta si incearca sa auzi cum se schimba sunetul. Observa ca un dezacord "
16210+ "minor, cum ar fi cu '0.1' produce un sunet 'plin', cele doua inaltimi usor "
16211+ "diferite interactionand in moduri interesante, adesea surprinzatoare."
1620016212
1620116213#: A.18-additive-synthesis.md:87
16202- #, fuzzy
1620316214msgid ""
1620416215"Some of the built-in synths already include a detune option that do exactly th"
1620516216"is in one synth. Try playing with the `detune:` opt of `:dsaw`, `:dpulse` and "
1620616217"`:dtri`."
16207- msgstr "`:dsaw`"
16218+ msgstr ""
16219+ "Unele dintre sintetizatoarele incluse au deja parametrul 'detune:' care face "
16220+ "exact acelasi lucru pentru un singur sintetizator. Joaca-te cu parametrul "
16221+ "`detune:` pentru `:dsaw`, `:dpulse` si `:dtri`."
1620816222
1620916223#: A.18-additive-synthesis.md:92
16210- #, fuzzy
1621116224msgid "Amplitude shaping"
16212- msgstr "Amplitudinea "
16225+ msgstr "Modelarea amplitudinii "
1621316226
1621416227#: A.18-additive-synthesis.md:94
1621516228msgid ""
1621616229"Another way we can finely craft our sound is to use a different envelope and o"
1621716230"ptions for each synth trigger. For example this will allow you to make some as"
1621816231"pects of the sound percussive and other aspects ring out for a period of time."
1621916232msgstr ""
16233+ "O alta metoda prin care poti fasona sunetul este sa folosesti anvelope si "
16234+ "parametri diferiti pentru fiecare sintetizator. De exemplu, aceasta iti va "
16235+ "permite sa faci anumite parti ale sunetului mai percutante iar altele mai "
16236+ "rasunatoare pentru un timp."
1622016237
1622116238#: A.18-additive-synthesis.md:99
1622216239#, no-wrap
@@ -16243,6 +16260,12 @@ msgid ""
1624316260"hort release times along with a noise with a longer release time but with a lo"
1624416261"w cutoff value (which makes the noise less crisp and more rumbly.)"
1624516262msgstr ""
16263+ "In exemplul de mai sus am combinat un element zgomotos percutant alaturi de "
16264+ "un huruit de fundal mai persistent. Am realizat asta in primul rand folosind "
16265+ "doua sintetizatoare de zgomot cu valorii medii de cutoff (`90` si `100`) si "
16266+ "timp de release scurt, alaturi de un zgomot cu release mai lung, dar cu o "
16267+ "valoare de cutoff mai joasa (care face zgomotul mai putin clar si mai "
16268+ "huruitor)."
1624616269
1624716270#: A.18-additive-synthesis.md:117
1624816271msgid ""
@@ -16258,42 +16281,66 @@ msgid ""
1625816281"ing your own melody and also messing around with the contents of the `:bell` f"
1625916282"unction until you create your own crazy sound to play with!"
1626016283msgstr ""
16284+ "Sa combinam toate aceste tehnici pentru a vedea daca putem folosi sinteza "
16285+ "aditiva pentru a re-crea un sunet de clopot simplu. Am impartit acest "
16286+ "exemplu in 4 sectiuni. In primul rand avem sectiunea 'hit' (lovitura) care "
16287+ "reprezinta partea de atac a sunetului de clopot - deci utilizeaza o anvelopa "
16288+ "scurta (de exemplu un 'release:' de aproximativ '0.1'). Apoi avem sectiunea "
16289+ "mai lunga a sunetului de clopot in care folosesc o unda sinusoidala. Observi "
16290+ "ca adesea cresc nota cu '12' sau '24', ceea ce reprezinta numarul de note "
16291+ "din una, respectiv doua octave. Am mai adaugat si doua unde sinusoidale "
16292+ "joase, pentru a da sunetului niste bass si profunzime. La final, am folosit "
16293+ "'define' pentru a ingloba codul intr-o functie pe care o pot apoi folosi "
16294+ "pentru a canta o melodie. Incearca sa canti propria melodie si sa modifici "
16295+ "continutul functiei ':bell' pana cand obtii niste sunete super tari cu care "
16296+ "sa te joci!"
1626116297
1626216298#: A.18-additive-synthesis.md:130
16299+ #, fuzzy
1626316300msgid ""
1626416301"define :bell do \\|n\\| # Triangle waves for the 'hit' synth :tri, note: n - 12,"
1626516302" release: 0.1 synth :tri, note: n + 0.1, release: 0.1 synth :tri, note: n - 0."
1626616303"1, release: 0.1 synth :tri, note: n, release: 0.2"
1626716304msgstr ""
16305+ "define :bell do \\|n\\| # Triangle waves for the 'hit' synth :tri, note: n - "
16306+ "12, release: 0.1 synth :tri, note: n + 0.1, release: 0.1 synth :tri, note: n "
16307+ "- 0.1, release: 0.1 synth :tri, note: n, release: 0.2"
1626816308
1626916309#: A.18-additive-synthesis.md:137
16310+ #, fuzzy
1627016311msgid ""
1627116312"\\# Sine waves for the 'ringing' synth :sine, note: n + 24, release: 2 synth :s"
1627216313"ine, note: n + 24.1, release: 2 synth :sine, note: n + 24.2, release: 0.5 synt"
1627316314"h :sine, note: n + 11.8, release: 2 synth :sine, note: n, release: 2"
1627416315msgstr ""
16316+ "\\# Sine waves for the 'ringing' synth :sine, note: n + 24, release: 2 synth "
16317+ ":sine, note: n + 24.1, release: 2 synth :sine, note: n + 24.2, release: 0.5 "
16318+ "synth :sine, note: n + 11.8, release: 2 synth :sine, note: n, release: 2"
1627516319
1627616320#: A.18-additive-synthesis.md:144
16321+ #, fuzzy
1627716322msgid ""
1627816323"\\# Low sine waves for the bass synth :sine, note: n - 11.8, release: 2 synth :"
1627916324"sine, note: n - 12, release: 2 end"
1628016325msgstr ""
16326+ "\\# Low sine waves for the bass synth :sine, note: n - 11.8, release: 2 "
16327+ "synth :sine, note: n - 12, release: 2 end"
1628116328
1628216329#: A.18-additive-synthesis.md:149
1628316330msgid "Play a melody with our new bell!"
16284- msgstr ""
16331+ msgstr "Canta o melodie cu noul tau clopot! "
1628516332
1628616333#: A.18-additive-synthesis.md:150
1628716334msgid "bell :e3 sleep 1 bell :c2 sleep 1 bell :d3 sleep 1 bell :g2"
16288- msgstr ""
16335+ msgstr "bell :e3 sleep 1 bell :c2 sleep 1 bell :d3 sleep 1 bell :g2 "
1628916336
1629016337#: A.19-subtractive-synthesis.md:1
1629116338msgid "A.19 Sound Design - Subtractive Synthesis"
16292- msgstr ""
16339+ msgstr "A.19 Design de sunet - Sinteza substractiva "
1629316340
1629416341#: A.19-subtractive-synthesis.md:3
1629516342msgid "Subtractive Synthesis"
16296- msgstr ""
16343+ msgstr "Sinteza substractiva "
1629716344
1629816345#: A.19-subtractive-synthesis.md:5
1629916346msgid ""
@@ -16309,16 +16356,30 @@ msgid ""
1630916356" with the recent renaissance of modular analog synths through popular standard"
1631016357"s such as Eurorack."
1631116358msgstr ""
16359+ "Acesta este al doilea articol dintr-o serie referitoare la felul in care "
16360+ "poti dolosi Sonic Pi pentru design de sunet. Luna trecuta am vorbit despre "
16361+ "sinteza aditiva care inseamna pur si simplu redarea mai multor sunete in "
16362+ "acelasi timp pentru ca crea un sunet combinat. De exemplu, putem combina "
16363+ "diferite sintetizatoare, sau chiar sunete de la acelasi sintetizator la "
16364+ "intaltimi diferite pentru a crea un sunet nou, complex, pornind de la "
16365+ "ingrediente simple. Luna aceasta vom descoperi o noua tehnica, numita *"
16366+ "sinteza substractiva* care inseamna ca pornim de la un sunet complex si "
16367+ "extragem parti din el pentru a crea ceva nou. Aceasta tehnica este asociata "
16368+ "de obicei cu sunetul sintetizatoarelor analogice din anii '60 si '70, dar si "
16369+ "cu recenta revigorare a sintetizatoarelor analogice modulare prin standarde "
16370+ "populare, cum ar fi Eurorack."
1631216371
1631316372#: A.19-subtractive-synthesis.md:18
1631416373msgid ""
1631516374"Despite this sounding like a particularly complicated and advanced technique, "
1631616375"Sonic Pi makes it surprisingly simple and easy - so let's dive right in."
1631716376msgstr ""
16377+ "Desi suna ca o tehnica avansata si complicata, Sonic Pi face utilizarea ei "
16378+ "surprinzator de facila. Sa intram direct in subiect."
1631816379
1631916380#: A.19-subtractive-synthesis.md:22
1632016381msgid "Complex Source Signal"
16321- msgstr ""
16382+ msgstr "Semnal sursa complex "
1632216383
1632316384#: A.19-subtractive-synthesis.md:24
1632416385msgid ""
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