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@@ -67,6 +67,7 @@ These have a custom syntax, known as 'maxi-notation' or 'mondo-notation'
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* McLean, Alex, and Geraint Wiggins. 2010. “[Tidal - Pattern Language for the Live Coding of Music.](https://doi.org/10.5281/zenodo.849841)” In Proceedings of the 7th Sound and Music Computing Conference 2010, 331–34. Barcelona.
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* McLean, Alex. 2011. “[Artist-Programmers and Programming Languages for the Arts.](https://research.gold.ac.uk/id/eprint/6611/)” PhD Thesis, Department of Computing, Goldsmiths, University of London.
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* McLean, Alex. 2014. “[Making Programming Languages to Dance to: Live Coding with Tidal.](https://doi.org/10.1145/2633638.2633647)” In Proceedings of the 2nd ACM SIGPLAN International Workshop on Functional Art, Music, Modelling and Design.
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* Roberts, Charles, and Mariana Pachon-Puentes. "[Bringing the tidalcycles mini-notation to the browser.](https://www.ntnu.edu/documents/1282113268/1290797448/WAC2019-CameraReadySubmission-49.pdf/eadc2fee-7584-373e-31e6-79828b0b196a?t=1575329719278)" In Web Audio Conference. 2019.
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* McLean, Alex. 2021. “[Alternate Timelines for TidalCycles.](https://doi.org/10.5281/zenodo.5788732)” In Proceedings of the 6th International Conference on Live Coding. Valdivia, Chile.
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* David Ogborn, Jamie Beverley, Nicholas Brown-Hernandez, Alejandro Franco Briones, Bernard Gray, Alex MacLean, Luis N. del Angel, Kofi Oduro, Spencer Park, Antonio Roberts, Jessica Rodríguez, Kate Sicchio, D. Andrew Stewart, Carl Testa, & Eldad Tsabary. (2022, June 28). [Estuary 0.3: Collaborative audio-visual live coding with a multilingual browser-based platform.](https://doi.org/10.5281/zenodo.6767377) Web Audio Conference 2022 (WAC2022), Cannes, France.
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* McLean, Alex, Raphaël Forment, Sylvain Le Beux, and Damián Silvani. 2022. “[TidalVortex Zero.](https://doi.org/10.5281/zenodo.6456380)” In proceedings of International Computer Music Conference. Limerick, Ireland.

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