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| 1 | +session_id = "Λlisue" |
| 2 | +start_at = 2025-11-02T13:35:00+09:00 |
| 3 | +end_at = 2025-11-02T14:05:00+09:00 |
| 4 | +speaker_name = "Λlisue" |
| 5 | +title = "And Yet, Vim Survived: Thinking and Seeing in the Age of Code You Don't Write" |
| 6 | +abstract = ''' |
| 7 | +In the year 202X, the world was ravaged by AI-assisted coding. |
| 8 | +Functions were generated automatically. Code reviews ran on natural language prompts. |
| 9 | +Developers stopped writing code and became... prompt engineers. |
| 10 | +
|
| 11 | +Text editors disappeared — or so it seemed. |
| 12 | +But Vim survived. |
| 13 | +
|
| 14 | +I’m no exception. |
| 15 | +These days, the first draft of code often comes from an AI, and I rarely need to write loops or simple routines myself. |
| 16 | +But while I’m writing less, I’m spending a lot more time reading. |
| 17 | +
|
| 18 | +Why is this function written this way? |
| 19 | +What role does this design play in the bigger picture? |
| 20 | +Who made this change — and why? |
| 21 | +
|
| 22 | +Even in an age where machines write the code, |
| 23 | +understanding the flow, the structure, and the reasoning still falls to us. |
| 24 | +
|
| 25 | +And that’s when I realized: |
| 26 | +Vim is absurdly good at seeing. |
| 27 | +
|
| 28 | +Split windows for parallel perspectives. |
| 29 | +Mode switching to shift context. |
| 30 | +Jumps and searches to trace the flow. |
| 31 | +Viewing code alongside its history. |
| 32 | +Custom mappings to navigate between layers of abstraction. |
| 33 | +
|
| 34 | +With tools like Fall, Fern, and Gin, |
| 35 | +Vim transforms from just a code editor into a thinking interface. |
| 36 | +
|
| 37 | +In this talk, I’ll share why I still use Vim |
| 38 | +in a time where writing code is no longer the main act. |
| 39 | +
|
| 40 | +As more of our code is machine-generated, |
| 41 | +how we look at it — and what we pay attention to — becomes more important. |
| 42 | +
|
| 43 | +I’ll walk through how I use Vim to “see,” |
| 44 | +through the lens of Fall, Fern, and Gin. |
| 45 | +
|
| 46 | +The machine can write. |
| 47 | +But I still need to see. |
| 48 | +You’re no longer writing. |
| 49 | +And yet—you’re still watching. |
| 50 | +''' |
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