From a40487f594b9b0760326621a603b28d9774bfbb3 Mon Sep 17 00:00:00 2001
From: Mike Gower
Where all of the video information is already provided in existing audio, no additional audio description is necessary. +
Where all of the important video information is already provided in existing audio, no additional audio description is necessary.
Also called "video description" and "descriptive narration."
From e4d17bfc03270d29d8d5efafe808ea7c1d3b13ce Mon Sep 17 00:00:00 2001 From: Mike Gower- For 1.2.3, 1.2.5, and 1.2.7, if all of the information in the video track is already - provided in the audio track, no audio description is necessary. + For 1.2.3, 1.2.5, and 1.2.7, if all of the important information in the video track is already + conveyed in the audio track, no audio description is necessary.
diff --git a/understanding/20/audio-description-prerecorded.html b/understanding/20/audio-description-prerecorded.html index 30111e8bc3..a529f9b6fe 100644 --- a/understanding/20/audio-description-prerecorded.html +++ b/understanding/20/audio-description-prerecorded.html @@ -34,8 +34,8 @@- For 1.2.3, 1.2.5, and 1.2.7, if all of the information in the video track is already - provided in the audio track, no audio description is necessary. + For 1.2.3, 1.2.5, and 1.2.7, if all of the important information in the video track is already + conveyed in the audio track, no audio description is necessary.
From 688ab33cb3d81fcf8e81c6b94ae624b868611680 Mon Sep 17 00:00:00 2001 From: Mike Gower- For 1.2.3, 1.2.5, and 1.2.7, if all of the important information in the video track is already + For 1.2.3 and 1.2.5, if all of the important information in the video track is already conveyed in the audio track, no audio description is necessary. diff --git a/understanding/20/audio-description-prerecorded.html b/understanding/20/audio-description-prerecorded.html index a529f9b6fe..1f971d0ce7 100644 --- a/understanding/20/audio-description-prerecorded.html +++ b/understanding/20/audio-description-prerecorded.html @@ -34,7 +34,7 @@
- For 1.2.3, 1.2.5, and 1.2.7, if all of the important information in the video track is already
+ For 1.2.3 and 1.2.5, if all of the important information in the video track is already
conveyed in the audio track, no audio description is necessary.
From acdebdce3aafccc6db3b849a85542dc2bffaed04 Mon Sep 17 00:00:00 2001
From: Mike Gower
- For 1.2.3, 1.2.5, and 1.2.7, if all of the information in the video track is already
- provided in the audio track, no audio description is necessary.
-
-
-
1.2.3, 1.2.5, and 1.2.8 overlap somewhat with each other. This is to give the author
some choice at the minimum conformance level, and to provide additional requirements
From 6c7783cd6f9a5c64368fbcc61b0d1f9930e6d55c Mon Sep 17 00:00:00 2001
From: Mike Gower Any technology that supports audio and video. The objective of this technique is to provide audio descriptions through narrative incorporated into the soundtrack of the synchronized video, so that it is possible for people who cannot see to be able to understand important visual material. Since most user agents today cannot merge multiple sound tracks, this technique adds additional context by revising the draft or pre-existing soundtrack so that the narrative includes audio description via a single audio track. This additional information may address actions, characters, scene changes, and on-screen text (not captions) that are important to understanding the content. The existing narrative is either revised or new narrative is added during pauses in existing dialogue. This limits the amount of supplementary information that can be added to program. This technique is most appropriate in instructional, marketing, and other videos where the narrative is intended to be informational. In such cases, a soundtrack which reinforces the visual "takeaways" in the video will be vital to blind people and people with low vision, and may be of use to many users, including some users with cognitive disabilities. Someone creating a instructional video demonstrating the features of an application, or recording a slide presentation, prepares a script where what is being shown visually is reinforced through the narration, to arrive at an efficient and cost-effective means of making accessible videos and presentations. Here are some key points to make the narration and presentation delivery accessible. Each is elaborated on in the following sections: When referring to URLs, dialogs, labels, and headings, read out the text. Sometimes presenters (narrators) just highlight or point to text; speaking the visible text ensures this meaningful text is made accessible to everyone including blind users or those with low vision. When describing actions a user can do, be sure to specifically state the button names to improve the context (e.g., "choose the green 'Go' button"). This goes hand in hand with the first rule to announce text on the screen. When presenters (narrators) point out “this button” or say “you'll see this”, they are typically referring to a visual cue they are providing on the screen or slide. Someone who can't see the screen or slide lacks the context to understand what is being referenced. Replace or augment “this” and “here” with the labels/titles to provide context: “Choose the blue Save button”, “The Profile Settings dialog appears with several options”. Including position and other sensory qualities like color can really help some low vision users and users with cognitive disabilities. However, you will want to include other context, such as structural headings, in addition to position, which may not be very helpful to some blind users. For components with visible labels, always read out the label when referring to the component. Where a visible label is absent, but you are aware of other programmatic labeling that will be read by the screen reader (e.g., the aria-label property; page regions), use that text. Also include placement and structure (headings) on the page or slide (e.g., “the red “Cancel” button at the bottom right of the dialog”, “Select the “online only” radio button in the Settings options”). When you are demonstrating a process, be sure to describe all steps you are carrying out. As well, announce when status messages appear, such as “loading”, and when other content appears or disappears on the screen or next slide. When a dialog, slide, or page appears, read out its title. For a new page, also describe its purpose or any distinguishing characteristics. Practice a natural storytelling style that does not simply read the text on the slide or screen. When operating the content, especially by mouse, announce what you plan to do before doing it, then describe while you are interacting with it, and finally summarize what you just did. A marketing video does not contain any important visuals which cannot be inferred from the audio soundtrack. However, it uses on-screen text to identify new speakers, as well as to provide a url at the end of the video where people can go for more information. In post-production a new narrator announces the onscreen text in gaps in the dialog.
For 1.2.3 and 1.2.5, if all of the important information in the video track is already
- conveyed in the audio track, no audio description is necessary.
+ conveyed in the audio track, no additional audio description is necessary.
For 1.2.3 and 1.2.5, if all of the important information in the video track is already
- conveyed in the audio track, no audio description is necessary.
+ conveyed in the audio track, no additional audio description is necessary.
Any technology that supports audio and video. The objective of this technique is to provide audio descriptions through narrative incorporated into the soundtrack of the synchronized video, so that it is possible for people who cannot see to be able to understand important visual material. Any technology that supports audio and video. The objective of this technique is to provide audio descriptions through narrative incorporated into the soundtrack of the synchronized video, so that it is possible for people who cannot see to be able to understand important visual material. The objective of this technique is to provide audio descriptions through narrative incorporated into the soundtrack of the synchronized video, so that people who cannot see are able to understand important visual material. Since most user agents today cannot merge multiple sound tracks, this technique adds additional context by revising the draft or pre-existing soundtrack so that the narrative includes audio description via a single audio track. This additional information may address actions, characters, scene changes, and on-screen text (not captions) that are important to understanding the content. The existing narrative is either revised or new narrative is added during pauses in existing dialogue. This limits the amount of supplementary information that can be added to program. The existing narrative is either revised or new narrative is added during pauses in existing dialogue (which potentially limits the amount of supplementary narration that can be added). This technique is most appropriate in instructional, marketing, and other videos where the narrative is intended to be informational. In such cases, a soundtrack which reinforces the visual "takeaways" in the video will be vital to blind people and people with low vision, and may be of use to many users, including some users with cognitive disabilities. Someone creating a instructional video demonstrating the features of an application, or recording a slide presentation, prepares a script where what is being shown visually is reinforced through the narration, to arrive at an efficient and cost-effective means of making accessible videos and presentations. Here are some key points to make the narration and presentation delivery accessible. Each is elaborated on in the following sections: Several key strategies help the narration improve a video's accessibility. Each is described more fully in the following subsections: When referring to URLs, dialogs, labels, and headings, read out the text. Sometimes presenters (narrators) just highlight or point to text; speaking the visible text ensures this meaningful text is made accessible to everyone including blind users or those with low vision. When describing actions a user can do, be sure to specifically state the button names to improve the context (e.g., "choose the green 'Go' button"). When referring to URLs, dialogs, labels, and headings, read out the text. Sometimes presenters (narrators) just highlight or point to text; speaking the visible text ensures this meaningful text is made accessible to everyone including blind users or those with low vision. When describing actions a user can do, be sure to specifically state the button names to improve the context (for example, "choose the green 'Go' button"). This goes hand in hand with the first rule to announce text on the screen. When presenters (narrators) point out “this button” or say “you'll see this”, they are typically referring to a visual cue they are providing on the screen or slide. Someone who can't see the screen or slide lacks the context to understand what is being referenced. Replace or augment “this” and “here” with the labels/titles to provide context: “Choose the blue Save button”, “The Profile Settings dialog appears with several options”. This goes hand in hand with the first rule to announce text on the screen. When presenters (narrators) point out “this button” or say “you'll see this”, they are typically referring to a visual cue they are providing on the screen or slide. Someone who can't see the screen or slide lacks the context to understand what is being referenced. Replace or augment “this” and “here” with the labels/titles to provide context: “Choose the blue Save button”, “The Profile Settings dialog appears, with several options.” Including position and other sensory qualities like color can really help some low vision users and users with cognitive disabilities. However, you will want to include other context, such as structural headings, in addition to position, which may not be very helpful to some blind users. For components with visible labels, always read out the label when referring to the component. Where a visible label is absent, but you are aware of other programmatic labeling that will be read by the screen reader (e.g., the aria-label property; page regions), use that text. Also include placement and structure (headings) on the page or slide (e.g., “the red “Cancel” button at the bottom right of the dialog”, “Select the “online only” radio button in the Settings options”). Including position and other sensory qualities like color can really help some low vision users and users with cognitive disabilities. However, you will want to include other context, such as structural headings, in addition to position (which is usually not very helpful to blind user). For components with visible labels, always read out the label when referring to the component. Where a visible label is absent, but you are aware of other programmatic labeling that will be read by the screen reader (for example, the aria-label property or page regions), use that text. Also include placement and structure (headings) on the page or slide (for example, “the red “Cancel” button at the bottom right of the dialog”, “Select the “online only” radio button in the Settings options”). When you are demonstrating a process, be sure to describe all steps you are carrying out. As well, announce when status messages appear, such as “loading”, and when other content appears or disappears on the screen or next slide. When you are demonstrating a process, be sure to describe all steps you are carrying out. As well, announce when status messages appear, such as “loading”, and when other content appears or disappears on the screen or slide. When a dialog, slide, or page appears, read out its title. For a new page, also describe its purpose or any distinguishing characteristics. Practice a natural storytelling style that does not simply read the text on the slide or screen. When operating the content, especially by mouse, announce what you plan to do before doing it, then describe while you are interacting with it, and finally summarize what you just did. When performing complex interactions, especially by mouse, it is sometimes helpful to announce what you plan to do before doing it, then narrate while you are interacting with it, and finally summarize what you just did. A marketing video does not contain any important visuals which cannot be inferred from the audio soundtrack. However, it uses on-screen text to identify new speakers, as well as to provide a url at the end of the video where people can go for more information. In post-production a new narrator announces the onscreen text in gaps in the dialog. A marketing video's important visuals can be mainly inferred from the audio soundtrack. However, it only uses on-screen text to identify new speakers, as well as to provide a url at the end of the video where people can go for more information. In post-production a new narrator announces the onscreen text in gaps in the dialog. This technique is most appropriate in instructional, marketing, and other videos where the narrative is intended to be informational. In such cases, a soundtrack which reinforces the visual "takeaways" in the video will be vital to blind people and people with low vision, and may be of use to many users, including some users with cognitive disabilities. Someone creating a instructional video demonstrating the features of an application, or recording a slide presentation, prepares a script where what is being shown visually is reinforced through the narration, to arrive at an efficient and cost-effective means of making accessible videos and presentations. Several key strategies help the narration improve a video's accessibility. Each is described more fully in the following subsections: Someone creating an instructional video demonstrating the features of an application prepares a script where what is being shown visually is reinforced through the narration, to arrive at an efficient and cost-effective means of making a more accessible video. Several key strategies are followed to improve the video's narration. Each is described more fully in the following subsections: When referring to URLs, dialogs, labels, and headings, read out the text. Sometimes presenters (narrators) just highlight or point to text; speaking the visible text ensures this meaningful text is made accessible to everyone including blind users or those with low vision. When describing actions a user can do, be sure to specifically state the button names to improve the context (for example, "choose the green 'Go' button"). This goes hand in hand with the first rule to announce text on the screen. When presenters (narrators) point out “this button” or say “you'll see this”, they are typically referring to a visual cue they are providing on the screen or slide. Someone who can't see the screen or slide lacks the context to understand what is being referenced. Replace or augment “this” and “here” with the labels/titles to provide context: “Choose the blue Save button”, “The Profile Settings dialog appears, with several options.” This goes hand in hand with the first rule to announce text on the screen. When presenters (narrators) point out “this button” or say “you'll see this”, they are typically referring to a visual cue they are providing on the screen. Someone who can't see the screen lacks the context to understand what is being referenced. Replace or augment “this” and “here” with the labels/titles to provide context: “Choose the blue Save button”, “The Profile Settings dialog appears, with several options.” Including position and other sensory qualities like color can really help some low vision users and users with cognitive disabilities. However, you will want to include other context, such as structural headings, in addition to position (which is usually not very helpful to blind user). For components with visible labels, always read out the label when referring to the component. Where a visible label is absent, but you are aware of other programmatic labeling that will be read by the screen reader (for example, the aria-label property or page regions), use that text. Also include placement and structure (headings) on the page or slide (for example, “the red “Cancel” button at the bottom right of the dialog”, “Select the “online only” radio button in the Settings options”). Including position and other sensory qualities like color can really help some low vision users and users with cognitive disabilities. However, you will want to include other context, such as structural headings, in addition to position (which is usually not very helpful to blind user). For components with visible labels, always read out the label when referring to the component. Where a visible label is absent, but you are aware of other programmatic labeling that will be read by the screen reader (for example, the aria-label property or page regions), use that text. Also include placement and structure (headings) on the page (for example, “the red “Cancel” button at the bottom right of the dialog”, “Select the “online only” radio button in the Settings options”). When you are demonstrating a process, be sure to describe all steps you are carrying out. As well, announce when status messages appear, such as “loading”, and when other content appears or disappears on the screen or slide. When a dialog, slide, or page appears, read out its title. For a new page, also describe its purpose or any distinguishing characteristics. Practice a natural storytelling style that does not simply read the text on the slide or screen. When you are demonstrating a process, be sure to describe all steps you are carrying out. As well, announce when status messages appear, such as “loading”, and when other content appears or disappears on the screen. When a dialog or page appears, read out its title. For a new page, also describe its purpose or any distinguishing characteristics. Practice a natural storytelling style that does not simply read the text on the screen. When performing complex interactions, especially by mouse, it is sometimes helpful to announce what you plan to do before doing it, then narrate while you are interacting with it, and finally summarize what you just did. Any technology that supports audio and video. The objective of this technique is to provide audio descriptions through narrative incorporated into the soundtrack of the synchronized video, so that people who cannot see are able to understand important visual material. The purpose of this guideline is to provide access to time-based and synchronized
- media.This includes media that is:
+ media. This includes media that is:
For
audio-only or
- video-only media, you only need to apply the success criteria that say "
- audio-only" or "
- video-only" in their short name. If your media is not
+ video-only media, you only need to apply the success criteria that say "audio-only" or "video-only" in their short name. If your media is not
audio-only or
video-only, then all the rest of the success criteria apply.
Any technology that supports audio and video. The objective of this technique is to provide audio descriptions through narrative incorporated into the soundtrack of the synchronized video, so that people who cannot see are able to understand important visual material. The objective of this technique is to provide audio descriptions through narration incorporated into the soundtrack of the synchronized video, so that people who cannot see are able to understand important visual material. Since most user agents today cannot merge multiple sound tracks, this technique adds additional context by revising the draft or pre-existing soundtrack so that the narrative includes audio description via a single audio track. This additional information may address actions, characters, scene changes, and on-screen text (not captions) that are important to understanding the content. The existing narrative is either revised or new narrative is added during pauses in existing dialogue (which potentially limits the amount of supplementary narration that can be added). This technique is most appropriate in instructional, marketing, and other videos where the narrative is intended to be informational. In such cases, a soundtrack which reinforces the visual "takeaways" in the video will be vital to blind people and people with low vision, and may be of use to many users, including some users with cognitive disabilities. Any technology that supports audio and video. The objective of this technique is to provide audio descriptions through narration incorporated into the soundtrack of the synchronized video, so that people who cannot see are able to understand important visual material. Since most user agents today cannot merge multiple sound tracks, this technique adds additional context by revising the draft or pre-existing soundtrack so that the narrative includes audio description via a single audio track. This additional information may address actions, characters, scene changes, and on-screen text (not captions) that are important to understanding the content. Since most user agents today cannot merge multiple sound tracks, this technique adds additional context by revising the soundtrack so that the narration includes audio description via a single audio track. This additional information may address actions, characters, scene changes, and on-screen text (not captions) that are important to understanding the content. The existing narrative is either revised or new narrative is added during pauses in existing dialogue (which potentially limits the amount of supplementary narration that can be added). This technique is most appropriate in instructional, marketing, and other videos where the narrative is intended to be informational. In such cases, a soundtrack which reinforces the visual "takeaways" in the video will be vital to blind people and people with low vision, and may be of use to many users, including some users with cognitive disabilities. The objective of this technique is to provide audio descriptions through narration incorporated into the soundtrack of the synchronized video, so that people who cannot see are able to understand important visual material. Since most user agents today cannot merge multiple sound tracks, this technique adds additional context by revising the soundtrack so that the narration includes audio description via a single audio track. This additional information may address actions, characters, scene changes, and on-screen text (not captions) that are important to understanding the content. The existing narrative is either revised or new narrative is added during pauses in existing dialogue (which potentially limits the amount of supplementary narration that can be added). The narration is either revised or new narration is added during pauses in dialogue (which potentially limits the amount of supplementary narration that can be added). This technique is most appropriate in instructional, marketing, and other videos where the narrative is intended to be informational. In such cases, a soundtrack which reinforces the visual "takeaways" in the video will be vital to blind people and people with low vision, and may be of use to many users, including some users with cognitive disabilities. The objective of this technique is to provide audio descriptions through narration incorporated into the soundtrack of the synchronized video, so that people who cannot see are able to understand important visual material. Since most user agents today cannot merge multiple sound tracks, this technique adds additional context by revising the soundtrack so that the narration includes audio description via a single audio track. This additional information may address actions, characters, scene changes, and on-screen text (not captions) that are important to understanding the content. The narration is either revised or new narration is added during pauses in dialogue (which potentially limits the amount of supplementary narration that can be added). This technique is most appropriate in instructional, marketing, and other videos where the narrative is intended to be informational. In such cases, a soundtrack which reinforces the visual "takeaways" in the video will be vital to blind people and people with low vision, and may be of use to many users, including some users with cognitive disabilities. This technique is most appropriate in instructional, marketing, and other videos where the narration is intended to be informational. In such cases, a soundtrack which reinforces the visual "takeaways" in the video will be vital to blind people and people with low vision, and may be of use to many users, including some users with cognitive disabilities. Someone creating an instructional video demonstrating the features of an application prepares a script where what is being shown visually is reinforced through the narration, to arrive at an efficient and cost-effective means of making a more accessible video. When a dialog or page appears, read out its title. For a new page, also describe its purpose or any distinguishing characteristics. Practice a natural storytelling style that does not simply read the text on the screen. When performing complex interactions, especially by mouse, it is sometimes helpful to announce what you plan to do before doing it, then narrate while you are interacting with it, and finally summarize what you just did. A marketing video's important visuals can be mainly inferred from the audio soundtrack. However, it only uses on-screen text to identify new speakers, as well as to provide a url at the end of the video where people can go for more information. In post-production a new narrator announces the onscreen text in gaps in the dialog. This goes hand in hand with the first rule to announce text on the screen. When presenters (narrators) point out “this button” or say “you'll see this”, they are typically referring to a visual cue they are providing on the screen. Someone who can't see the screen lacks the context to understand what is being referenced. Replace or augment “this” and “here” with the labels/titles to provide context: “Choose the blue Save button”, “The Profile Settings dialog appears, with several options.” Including position and other sensory qualities like color can really help some low vision users and users with cognitive disabilities. However, you will want to include other context, such as structural headings, in addition to position (which is usually not very helpful to blind user). For components with visible labels, always read out the label when referring to the component. Where a visible label is absent, but you are aware of other programmatic labeling that will be read by the screen reader (for example, the aria-label property or page regions), use that text. Also include placement and structure (headings) on the page (for example, “the red “Cancel” button at the bottom right of the dialog”, “Select the “online only” radio button in the Settings options”). Including position and other sensory qualities like color can really help some low vision users and users with cognitive disabilities. However, you will want to include other context, such as structural headings, in addition to position (which is usually not very helpful to blind user). For components with visible labels, always read out the label when referring to the component. Where a visible label is absent, but you are aware of other programmatic labeling that will be read by the screen reader (for example, the When you are demonstrating a process, be sure to describe all steps you are carrying out. As well, announce when status messages appear, such as “loading”, and when other content appears or disappears on the screen.
-
For 1.2.3, 1.2.5, and 1.2.7, if all of the important information in the video track is already
conveyed in the audio track, no additional audio description is necessary.
From 03d3238b906e1fb2f3964ff999aaa8b873674c2f Mon Sep 17 00:00:00 2001
From: Mike Gower
-
For 1.2.3, 1.2.5, and 1.2.7, if all of the important information in the video track is already
conveyed in the audio track, no additional audio description is necessary.
Intent of Media Alternative (Prerecorded)
Providing audio descriptions by incorporating narration into the existing soundtrack
When to Use
+ Description
+ Examples
+ An instructional video is scripted with narration that describes important visual content
+
+
+ Describe any pertinent and meaningful text on the screen or slide
+ Avoid saying only “this” or “here” to describe UI components
+ For better context, describe elements by sensory perceptions as well as by label
+ Fully describe sequences of action, including any dynamic content that appears
+ When a main page, new slide, or dialog appears, say its title and describe its features
+ When using a mouse to show something (such as to hover, select, scroll, or open), say what you are doing
+ Additional narration is added to gaps in the existing soundtrack
+ Tests
+ Procedure
+
+
+ Expected Results
+
+
+ Intent of Audio Description or Media Alternative (Prerecorded)
Sufficient Techniques for Audio Description or Media Alternative (Prerecorde
Providing audio description in SMIL 2.0
+
Intent of Audio Description (Prerecorded)
Sufficient Techniques for Audio Description (Prerecorded)
Providing audio description in SMIL 2.0
-
+
+ Providing audio descriptions by incorporating narration into the existing soundtrack
When to Use
+Providing audio descriptions by incorporating narration in the existing soundtrack
When to Use
Description
Sufficient Techniques for Audio Description or Media Alternative (Prerecorde
Providing audio description in SMIL 2.0
+
Sufficient Techniques for Audio Description (Prerecorded)
Providing audio descriptions by incorporating narration in the existing soundtrack
When to Use
+Providing audio descriptions by incorporating narration in the existing soundtrack
When to Use
Description
- Examples
An instructional video is scripted with narration that describes important visual content
An instructional video is scripted with narration that describes important v
Describe any pertinent and meaningful text on the screen or slide
- Avoid saying only “this” or “here” to describe UI components
- For better context, describe elements by sensory perceptions as well as by label
- Fully describe sequences of action, including any dynamic content that appears
- When a main page, new slide, or dialog appears, say its title and describe its features
When using a mouse to show something (such as to hover, select, scroll, or open), say what you are doing
- Additional narration is added to gaps in the existing soundtrack
- Tests
Procedure
From 68a772f855f3b8bc9147adb197202053550790e5 Mon Sep 17 00:00:00 2001
From: Mike Gower
Examples
An instructional video is scripted with narration that describes important visual content
-
-
- Describe any pertinent and meaningful text on the screen or slide
+ Describe any pertinent and meaningful text on the screen
Avoid saying only “this” or “here” to describe UI components
- For better context, describe elements by sensory perceptions as well as by label
- Fully describe sequences of action, including any dynamic content that appears
- When a main page, new slide, or dialog appears, say its title and describe its features
- When a main page or dialog appears, say its title and describe its features
+ When using a mouse to show something (such as to hover, select, scroll, or open), say what you are doing
Additional narration is added to gaps in the existing soundtrack
From 353246e968f2c724068e84c9c67a3cb4717382a7 Mon Sep 17 00:00:00 2001
From: Mike Gower Resources for Audio Description or Media Alternative (Prerecorded)
+
Resources for Audio Description (Prerecorded)
+
Resources for Audio-only and Video-only (Prerecorded)
+
+
Resources for Captions (Prerecorded)
Guides to Captioning
+
+
Resources for Media Alternative (Prerecorded)
-
+
+
Resources for Sign Language (Prerecorded)
+
Resources for Audio Description or Media Alternative (Prerecorded)
Resources for Audio Description (Prerecorded)
Resources for Audio-only and Video-only (Prerecorded)
Guides to Captioning
Resources for Media Alternative (Prerecorded)
Resources for Sign Language (Prerecorded)
Providing audio descriptions by incorporating narration in the existing soundtrack
When to Use
+Providing audio descriptions by incorporating narration in the soundtrack
When to Use
Description
Sufficient Techniques for Audio Description or Media Alternative (Prerecorde
Sufficient Techniques for Audio Description (Prerecorded)
Intent of Time-Based Media
@@ -36,9 +36,7 @@
Intent of Time-Based Media
Providing audio descriptions by incorporating narration in the soundtrack
When to Use
Description
- Description
Examples
From 6e00315a16b974b88b5b62460a8286672ff9dd4f Mon Sep 17 00:00:00 2001
From: Mike Gower Description
Examples
An instructional video is scripted with narration that describes important visual content
From 6d4681f6ee421df2dae979e9fd4daab73eeb3db9 Mon Sep 17 00:00:00 2001
From: Mike Gower Examples
An instructional video is scripted with narration that describes important visual content
When a main page or dialog appears, say its title and describe its features<
When using a mouse to show something (such as to hover, select, scroll, or open), say what you are doing
Additional narration is added to gaps in the existing soundtrack
+ Additional narration is added to gaps in the soundtrack
Tests
Procedure
From 0c1eb2cba2c8767d49d6f06c0074fe2c02318c9d Mon Sep 17 00:00:00 2001
From: Mike Gower Additional narration is added to gaps in the soundtrack
Procedure
From 235e8891c660423c3b554e85ae172871632362a8 Mon Sep 17 00:00:00 2001
From: Mike Gower Describe any pertinent and meaningful text on the screen
Avoid saying only “this” or “here” to describe UI components
For better context, describe elements by sensory perceptions as well as by label
- aria-label
property or page regions), use that text. Also include placement and structure (headings) on the page (for example, “the red “Cancel” button at the bottom right of the dialog”, “Select the “online only” radio button in the Settings options”).Fully describe sequences of action, including any dynamic content that appears
When a main page or dialog appears, say its title and describe its features
From 7afbd5d24f9ec6827a7ff0f2f653cdb588ed830b Mon Sep 17 00:00:00 2001
From: Mike Gower Intent of Audio Description or Media Alternative (Prerecorded)
Intent of Audio Description (Prerecorded)