Milestone Release: Theory & Power-Saving #11
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For too long, music visualization has been merely descriptive—showing what notes are playing. I have built this Grammar to be structural—showing why they move. I propose that Tonal Harmony is a rigorous topological system. While the composer is free to choose the path, the geometry determines the available roads. In the 'Chopin Case Study,' I demonstrate how the lattice accurately predicts the 'Deceptive Resolutions' that standard theory treats as accidents. I invite theorists from institutions like IRCAM and MIT to examine this logic. If the geometry is flawed, refute it. If it is sound, then the standard for music visualization has just moved from 2D to 3D. |
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This release marks a significant milestone for the project, uniting the visualization engine with its complete theoretical framework.
🔋 Engine Updates: Power-Saving Pause
📐 Theoretical Framework: Umbilic-Surface Grammar
I have published the complete geometric logic behind the visualizations in the
docs/folder. This framework explains why the shapes move the way they do.The lattice offers a map; the music remains the territory.
This discussion was created from the release Milestone Release: Theory & Power-Saving.
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