Correction of obvious mistakes (Aug 7th)

Based on rare bass degrees

5 occurrences of bb3

Corrected by replacing incorrect vi (in minor) by #vi in c08n02_ritournele mm. 11, 17, 43, 51 and c08n10_air_lentement m. 38. In the first four mentioned cases, each subsequent vii needed correction to #vii, too, which could hint at a systematic error in minor segments. If the 'normal' 2 is written as viio6 instead of #viio6, the bass degree will turn out wrongly as b2.

11 remaining occurrences of b2

As suspected above, vii had to replaced by #vii in:

• c03n03_courante, m. 74+
• c07n03_sarabande, m. 30
• c10n03_plainte, m. 24
• c11n01_majestueusement, m. 36
• c11n02_allemande, m. 21
• c11n03_seconde_allemande, m. 15
• c14n01_gravement, m. 6
• c14n04_fuguete, m. 38
• parnasse_07, m. 44 (and in m. 39 vi/iv was corrected to #vi/iv)

Here, vii was actually ii:

• c03n02_allemande, m. 8

7 occurrences of b4

Once more, the reason are viio chords in minor contexts.

• c01n06_menuet_en_trio, m. 4
• c05n05_musete, m. 38
• c07n04_fuguete, mm. 11 & 16
• c07n06_siciliene, m. 16

Here, bII was written as minor triad bii:

• c10n01_gravement, m. 12

2 occurrences of b1

Another two cases where vi was actually #vi in minor.

• c07n03_sarabande, m. 32
• c14n01_gravement, m. 9

2 occurrences of b5

• c03n03_courante, m. 1: VI2 => VIM2 in minor
• c08n10_air_lentement, m. 37: vi => #vi in minor

1 occurrence of bb7

parnasse_07, m. 16 had vii/iv instead of #vii/iv.

Based on rare intervals between bass notes

2 occurrences of 10 (-D3)

• c14n03_sarabande m. 15: the B minor chord, within D minor, needs to be written as #vi
• c03n08_chaconne_legere m. 4: was missing the key change back to i

occurrences of -9 (-A2)

• c02n01_prelude m. 12: ii% was corrected to iii%