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| Title of work: History of films | ||
| Link to work: https://www.blackwellpublishing.com/content/BPL_Images/Content_store/ThumbNail/BURGOYNE9781405146029/9781405146029.pdf | ||
| Revision: https://en.wikipedia.org/wiki/History_of_film_technology | ||
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| License of the work: 12455 | ||
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There was a problem hiding this comment. Choose a reason for hiding this commentThe reason will be displayed to describe this comment to others. Learn more. The license here should be a publishing license. Examples include Creative Commons licenses (note that many Wikipedia pages often use a Creative Commons license called CC BY-SA), public domain (no license, really), and copyright. What does |
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| Creator names: Barry Keith Grant | ||
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| created_by: klawrenc | ||||||
| version: 3 | ||||||
| domain: film history | ||||||
| document_outline: >- | ||||||
| reference for films over the years, how it was made and the general history of | ||||||
| cinema | ||||||
| seed_examples: | ||||||
| - context: This model is a resource for the history of film | ||||||
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There was a problem hiding this comment. Choose a reason for hiding this commentThe reason will be displayed to describe this comment to others. Learn more. The All of these
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There was a problem hiding this comment. Choose a reason for hiding this commentThe reason will be displayed to describe this comment to others. Learn more. Also, for reference, the model will not answer exactly as you have in the seed examples. It may use different wording or phrases and may structure answers differently. The data, though, will always be the same. So don't worry about exact answer wording. |
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| questions_and_answers: | ||||||
| - question: who won the Oscar for leading man in a film in 1980 | ||||||
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Suggested change
For all of these, please use punctuation at the end. |
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| answer: Robert De Niro for portraying Jake LaMotta in Raging Bull | ||||||
| - question: >- | ||||||
| Who starred in the British comedy Shooting Stars in 1928 and who | ||||||
| directed it | ||||||
| answer: Annette Benson was the star and directed by A. V. Bramble | ||||||
| - question: 'What is the basic apparatus for making films ' | ||||||
| answer: >- | ||||||
| Films produce their illusion of continuous movement by passing a | ||||||
| series of discrete images in quick succession in front of a light | ||||||
| source enabling the images to be projected | ||||||
| - context: Oscar winners | ||||||
| questions_and_answers: | ||||||
| - question: >- | ||||||
| How many times has Daniel Day-Lewis won the Oscar for leading man in a | ||||||
| motion picture | ||||||
| answer: 3 times | ||||||
| - question: Who is the youngest to win an Oscar | ||||||
| answer: Adrien Brody aged 29 for the Pianist in 2002 | ||||||
| - question: Who was the oldest to win an Oscar | ||||||
| answer: Anthony Hopkins for the Father aged 83 in 2020 | ||||||
| - context: 'Early Cinema ' | ||||||
| questions_and_answers: | ||||||
| - question: Who were the two most important French producers of early cinema | ||||||
| answer: Lumières and Méliès | ||||||
| - question: >- | ||||||
| What was Lumières story film of sorts in the public début of the | ||||||
| Cinématographe | ||||||
| answer: The Great Train Robbery (1903) | ||||||
| - question: Which two types of film were not generally made in major studios? | ||||||
| answer: cartoons and serials | ||||||
| - context: Who invented cinema | ||||||
| questions_and_answers: | ||||||
| - question: Who invented the cinema? | ||||||
| answer: >- | ||||||
| No one person invented cinema. However, in 1891 the Edison Company | ||||||
| successfully demonstrated a prototype of the Kinetoscope, which | ||||||
| enabled one person at a time to view moving pictures. | ||||||
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| The first public Kinetoscope demonstration took place in 1893. By 1894 | ||||||
| the Kinetoscope was a commercial success, with public parlours | ||||||
| established around the world. | ||||||
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| The first to present projected moving pictures to a paying audience | ||||||
| were the Lumière brothers in December 1895 in Paris, France. They used | ||||||
| a device of their own making, the Cinématographe, which was a camera, | ||||||
| a projector and a film printer all in one. | ||||||
| - question: What were early films like? | ||||||
| answer: >- | ||||||
| At first, films were very short, sometimes only a few minutes or less. | ||||||
| They were shown at fairgrounds, music halls, or anywhere a screen | ||||||
| could be set up and a room darkened. Subjects included local scenes | ||||||
| and activities, views of foreign lands, short comedies, and newsworthy | ||||||
| events. | ||||||
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| The films were accompanied by lectures, music, and extensive audience | ||||||
| participation. Although they did not have synchronized dialogue, they | ||||||
| were not ‘silent’ as they are sometimes described. | ||||||
| - question: when was color added to films | ||||||
| answer: >- | ||||||
| Color was first added to black-and-white movies through hand coloring, | ||||||
| tinting, toning, and stencilling. | ||||||
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| By 1906, the principles of colour separation were used to produce | ||||||
| so-called ‘natural color’ moving images with the British Kinemacolor | ||||||
| process, first presented to the public in 1909 | ||||||
| - context: Sound | ||||||
| questions_and_answers: | ||||||
| - question: When was sound added to films? | ||||||
| answer: >+ | ||||||
| The first attempts to add synchronized sound to projected pictures | ||||||
| used phonographic cylinders or discs. | ||||||
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| The first feature-length movie incorporating synchronised dialogue, | ||||||
| The Jazz Singer (USA, 1927), used the Warner Brothers’ Vitaphone | ||||||
| system, which employed a separate record disc with each reel of film | ||||||
| for the sound. | ||||||
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| - question: | | ||||||
| When was the golden age of cinema? | ||||||
| answer: >- | ||||||
| By the early 1930s, nearly all feature-length movies were presented | ||||||
| with synchronized sound and, by the mid-1930s, some were in full color | ||||||
| too. The advent of sound secured the dominant role of the American | ||||||
| industry and gave rise to the so-called ‘Golden Age of Hollywood’. | ||||||
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| During the 1930s and 1940s, cinema was the principal form of popular | ||||||
| entertainment, with people often attending cinemas twice a week. | ||||||
| Ornate ’super’ cinemas or ‘picture palaces’, offering extra facilities | ||||||
| such as cafés and ballrooms, came to towns and cities; many of them | ||||||
| could hold over 3,000 people in a single auditorium. | ||||||
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| In Britain, the highest attendance occurred in 1946, with over 31 | ||||||
| million visits to the cinema each week. | ||||||
| - question: How have attendance figures changed over the years of cinema? | ||||||
| answer: >- | ||||||
| While cinemas had some success in fighting the competition of | ||||||
| television, they never regained the position and influence they held | ||||||
| in the 1930s and 40s, and over the next 30 years audiences dwindled. | ||||||
| By 1984 cinema attendances in Britain had declined to one million a | ||||||
| week. | ||||||
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| By the late 2000s, however, that number had trebled. The first British | ||||||
| multiplex was built in Milton Keynes in 1985, sparking a boom in | ||||||
| out-of-town multiplex cinemas. | ||||||
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| Today, most people see films on television, whether terrestrial, | ||||||
| satellite or subscription video on demand (SVOD) services. Streaming | ||||||
| film content on computers, tablets and mobile phones is becoming more | ||||||
| common as it proves to be more convenient for modern audiences and | ||||||
| lifestyles. | ||||||
| document: | ||||||
| repo: https://github.com/klawrenc/taxonomy-knowledge-docs | ||||||
| commit: 187fecb8d4bc871607250435f275c38b771fd213 | ||||||
| patterns: | ||||||
| - Howfilmhistoriesweremade-20241228T112154856.md | ||||||
| - filmhistory-20241228T112154856.md | ||||||
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